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He looked up at me and said hello with a genuine welcoming smile. I wanted to say something but, I just walked up to the tree and grabbed an apple.
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He had white whit-ish grey-ish gloves, with a white button down shirt, and a green under suit to go with it. His shoes, almost the color of my hair, but more, lighter. He had a sword, and a brown gear belt, to hold it around his waste. I looked over by the tree to see a green haired boy, about 15 years old, real short, and had the cutest face I'd ever seen. "Good boy, Daisy." I said getting off him. I rode off into a distance and stopped by a tree to get an apple. "If she were here, she would've accepted me for who I am.and for you to just bring her makes me think you don't give a fuck about my feelings." I walked past him opened the front door and jumped on my horse, not knowing where I'm going. "Would your mother want this?" He asked me. Still, a lovely film about being different, which we all are.Todowo's POV: "WELL IF YOU WEREN'T SO CAUGHT UP ON WHAT'S GOING ON WITH YOURSELF, MAYBE YOU WOULD'VE FOUND OUT SOONER!" I yelled. And, there are some minor story difficulties for example, the milkman couldn't possibly be responsible for the green hair, unless Stockwell is the only milk drinker in town (stipulating the townspeople, as a whole, are of average intelligence). However, the themes of "peace" and "tolerance" could be better connected. Stockwell's meeting with the War Poster children is very well done - still, quiet, and effective. "Nature Boy" is a beautiful, and apt, theme song.
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This is a very unusual film, particularly for the time period it is both thought-provoking, and entertaining. The surprise is, of course, that Stockwell becomes "The Boy with Green Hair". That evening, O'Brien comforts Stockwell, and promises the next day will bring hope in the form of a surprise. However, at school, Stockwell is teased, for being an orphan specifically, he is told he resembles an "Unidentified War Orphan" depicted in a poster. Finally, he winds up with Pat O'Brien (as "Gramps"), a vaudeville-type actor. Stockwell tells his story: he was a war orphan, and was shuffled between relatives ("I sure lived in a lot of places"). Evans) gets young Stockwell to speak, after giving the hungry boy a hamburger. Dean Stockwell later played Howard Hughes in Tucker: The Man and His Dream (1988).Īs the film begins, young Dean Stockwell (as Peter Fry) is in a police station obviously, the adults do not know where he belongs, or why his head is shaved bald. Barzman also remembered that 12-year-old Dean Stockwell was called into Hughes' office and Hughes told him that when the other children spoke of the horror of war, he should say, "And that's why America has gotta have the biggest army, and the biggest navy, and the biggest air force in the world!" According to Barzman, little Stockwell was so in sympathy with the film's message that he dared to respond, "No, sir!" Even after Hughes started to scream at him, the boy held his ground and refused to do it. A few lines were stuck in here and there to soften the message, but that was about it". Screenwriter Ben Barzman, who was also later blacklisted along with Losey, would later recall that "Joe shot the picture in such a way that there wasn't much possibility for change. Losey, however, managed to protect the integrity of his project. Unfortunately for the film's director, Joseph Losey, the eccentric, politically conservative Howard Hughes took over RKO while this film was being shot and, hating the film's pacifist message, did his best to sabotage it.